I am currently unable to see any comments on my collection, so I might not be able to respond for a while. Sorry!
I try to watch as many dramas as I can to keep this collection fresh and updated, but please let me know what dramas you think I should watch/add by commenting below!
Want to start a conversation about your current drama obsession, or a past favorite? Post it on my discussion, "New Favorite Dramas?" by selecting discussions in MORE!
But even so, not all dramas that have romance will interest me. Many of Korean romantic dramas are boring, too easy to guess, the story is repeated over and over again, too many cliches, and so for.
I love Korean dramas which has a unique storyline, have many plot twists, have a great OST songs, interspersed by action would also good, and most importantly, I really like Korean dramas that focus on the love relationship between the main characters.
Why? Because it will always make my heart pounding, and wondered how it goes.
I’ve watched a lot of romantic Korean dramas, and many were very good. Romantic Korean dramas also made me addicted to continue looking for another romantic Dramas.
Here are the best Korean dramas by Kmazing.net. Watch carefully.
Korean dramas are usually helmed by one director and written by one screenwriter, thus having a distinct directing style and language, unlike American television series, where often several directors and writers work together. Series set in contemporary times usually run for one season, for 12−24 episodes of 60 minutes each. Historical series may be longer, with 50 to 200 episodes, but they also run for only one season.
The broadcast time for dramas is 22:00 to 23:00, with episodes on two consecutive nights: Mondays and Tuesdays, Wednesdays and Thursdays, and weekends. Different dramas appear on each of the nationwide networks, Seoul Broadcasting System (SBS), Korean Broadcasting System (KBS), Munhwa Broadcasting Corporation (MBC) and on the cable channels, Joongang Tongyang Broadcasting Company (jTBC), Channel A, tvN, and Orion Cinema Network (OCN).
The 19:00 to 20:00 evening time slot is usually for daily dramas that run from Monday through Friday. Dramas in these slots are in the telenovela format, rarely running over 200 episodes. Unlike the American soap operas, these daily dramas are not also scheduled during the day-time. Instead, the day-time schedule often includes reruns of the flagship dramas. The night-time dailies can achieve very high ratings. For example, the evening series Temptation of Wife peaked at 40.6%, according to TNS Korea.
Korean dramas are usually shot within a very tight schedule, often a few hours before actual broadcast. Screenplays are flexible and may change anytime during production, depending on viewers' feedback, putting actors in a difficult position. Production companies often face financial issues.
What type/genre of Korean Dramas that you like the most? Action? Comedy? Thriller? Romance? Horror? For me, I won’t watch Korean Drama that has no romance in it. So all Korean dramas that I’d like to watch should have romance. Or else I won’t watch it. Why? Because I think a drama without romance will tastes empty.
Unless action dramas which the excitement are no joke like Bad Guy. Although this drama has no romance at all, but the story is intriguing enough to make me curious and excited in each episode.
The romantic genre is one of the most common genre adopted in Korean Drama Industry, the reason behind this is simple, this genre directly touch the feeling of the viewer. Well, who doesn’t want to be loved and loving your loved one. The complete relatable emotion is one of the perk of romantic television series.
Here at Kmazing, we enjoy this genre a lil bit more than the other, and also it’s rare to see drama that have zero romance nowadays so almost all Korean drama can be categorized as romantic drama.
Korean series were originally produced in house by the television channels themselves, but have been outsourced to independent production companies since the 2000s. In 2012, as much as 75% of all K-dramas were produced this way. Competition is fierce among these companies; out of 156 registered firms, only 34 produced dramas were actually aired in 2012. The budget of the production is shared between the producing company and the broadcaster, with the broadcasting channel covering around 50% of expenses usually. If top stars and famous scriptwriters are employed, they may cover even more. The rest of the budget has to be brought in by the production company with the help of sponsors. In the case of product placements, income is shared by the producer and the channel. The channel keeps 100% of the advertisement income during airtime; this could amount to ₩300-400 million. A typical Korean drama may cost as much as ₩250 million per episode, and historical dramas cost more than that. For example, Gu Family Book cost ₩500 million per episode. Producer Kim Jong-hak spent as much as ₩10 billion on Faith, which was considered a commercial failure, resulting in the inability of Kim to pay crew salaries and other overheads. Kim, who had produced successful dramas such as Eyes of Dawn and Sandglass, committed suicide after he was accused of embezzlement.
In Korea, much of the budget is spent on the appearance fees of top stars. In some cases, the actors may take up as much as 55-65% of the whole budget, while it is 20–30% in Japan and roughly 10% in the United States. Everything else, including salaries of lesser-known actors, extras, and technical staff, location rent and other expenses, have to be covered from the remaining amount. Often, production companies overrun their budgets and cannot pay salaries. In 2012, actors held a demonstration in front of the headquarters of KBS, expressing their concerns. Actors are usually paid after the last episode is aired at the end of the month. In series made by smaller production companies for cable channels, there have been cases where the companies went bankrupt and could not pay their actors and crew, while the channel denied all responsibility, claiming all liability was with the bankrupt production firm. The biggest stars may earn as much as ₩100 million per episode. Bae Yong-joon, the star of Winter Sonata reportedly received ₩250 million per episode for The Legend in 2007.
As producing a series involves high expenses, production companies seek to shoot the episodes in the shortest time possible. In contrast to practices elsewhere, the first four episodes of Korean series are usually shot in advance, but the rest are shot continuously as the series is being aired. Scripts are not finished in advance, and may change according to viewer feedback and viewership ratings. These changes may occur a few hours before daily shooting, and the crew might receive only a few ready pages. The production usually works with three camera crews, who work in a rotating manner to speed up filming. Because of unregulated script changes and tight shooting schedules, actors are almost continuously on standby, and have no time to leave the set or sleep properly. The Korean media have a separate word to describe irregular, short sleeps that actors resort to, in often uncomfortable positions, or within the set: jjok-jam (쪽잠), or "side-sleeping". Dramas usually air two episodes a week, one after the other, with the following episodes having to be shot within the intervening five days. Some Korean actors have admitted to receiving IV therapy during filming, due to extreme schedules and exhaustion.
Famous scriptwriters tend to have a say in their field. The most well-known scriptwriters include the Hong sisters, who wrote popular series such as My Girl, You're Beautiful and My Girlfriend Is a Nine-Tailed Fox; Kim Eun-sook, the screenwriter of Lovers in Paris, Secret Garden, The Heirs, Descendants of the Sun and Guardian: The Lonely and Great God; Lee Kyung-hee, famous for I'm Sorry, I Love You and The Innocent Man; male writer Choi Wan-kyu of Midas and Triangle; Noh Hee-kyung, the author of That Winter, the Wind Blows; and It's Okay, That's Love; and Park Ji-eun, who wrote My Husband Got a Family and My Love From the Star.
Acknowledged TV directors include Lee Byung-hoon, who directed Dae Jang Geum and Yi San; Kim Jong-hak, the director of Eyes of Dawn, and Sandglass; and Pyo Min-soo, the director of Full House and Iris II.
While scriptwriters are mostly women, directors are usually men. Some female directors rose to prominence, such as Lee Na-jeong (이나정), who directed The Innocent Man, and Lee Yun-jeong (이윤정), whose most famous works are The 1st Shop of Coffee Prince and Heart to Heart. The latter director is also the first female television producer employed by Munhwa Broadcasting Corporation (MBC).
Music plays an important role in Korean dramas. Original soundtracks, abbreviated OST, are explicitly made for each series, and in contrast to American series, fans have a need to buy the soundtrack album of dramas. This trend started in the 1990s, when producers swapped purely instrumental soundtracks for songs performed by popular K-pop singers. Tom Larsen, director of YA Entertainment, a distributor of Korean TV series, thinks that Korean soundtracks are polished enough musically to be considered standalone hits.
During the 2000s, it became customary for lead actors to participate in original soundtracks, also partially due to the employment of K-pop stars as actors. Actor Lee Min-ho, and leader of boy band SS501, Kim Hyun-joong both recorded songs for Boys Over Flowers, while the actors of You're Beautiful formed a fictional band and held concerts, where they perform the soundtracks live.
I try to watch as many dramas as I can to keep this collection fresh and updated, but please let me know what dramas you think I should watch/add by commenting below!
Want to start a conversation about your current drama obsession, or a past favorite? Post it on my discussion, "New Favorite Dramas?" by selecting discussions in MORE!
Go... to the Lists
But even so, not all dramas that have romance will interest me. Many of Korean romantic dramas are boring, too easy to guess, the story is repeated over and over again, too many cliches, and so for.
I love Korean dramas which has a unique storyline, have many plot twists, have a great OST songs, interspersed by action would also good, and most importantly, I really like Korean dramas that focus on the love relationship between the main characters.
Why? Because it will always make my heart pounding, and wondered how it goes.
I’ve watched a lot of romantic Korean dramas, and many were very good. Romantic Korean dramas also made me addicted to continue looking for another romantic Dramas.
Here are the best Korean dramas by Kmazing.net. Watch carefully.
Go... to the Lists
Korean dramas are usually helmed by one director and written by one screenwriter, thus having a distinct directing style and language, unlike American television series, where often several directors and writers work together. Series set in contemporary times usually run for one season, for 12−24 episodes of 60 minutes each. Historical series may be longer, with 50 to 200 episodes, but they also run for only one season.
The broadcast time for dramas is 22:00 to 23:00, with episodes on two consecutive nights: Mondays and Tuesdays, Wednesdays and Thursdays, and weekends. Different dramas appear on each of the nationwide networks, Seoul Broadcasting System (SBS), Korean Broadcasting System (KBS), Munhwa Broadcasting Corporation (MBC) and on the cable channels, Joongang Tongyang Broadcasting Company (jTBC), Channel A, tvN, and Orion Cinema Network (OCN).
The 19:00 to 20:00 evening time slot is usually for daily dramas that run from Monday through Friday. Dramas in these slots are in the telenovela format, rarely running over 200 episodes. Unlike the American soap operas, these daily dramas are not also scheduled during the day-time. Instead, the day-time schedule often includes reruns of the flagship dramas. The night-time dailies can achieve very high ratings. For example, the evening series Temptation of Wife peaked at 40.6%, according to TNS Korea.
Korean dramas are usually shot within a very tight schedule, often a few hours before actual broadcast. Screenplays are flexible and may change anytime during production, depending on viewers' feedback, putting actors in a difficult position. Production companies often face financial issues.
Go... to the Lists
What type/genre of Korean Dramas that you like the most? Action? Comedy? Thriller? Romance? Horror? For me, I won’t watch Korean Drama that has no romance in it. So all Korean dramas that I’d like to watch should have romance. Or else I won’t watch it. Why? Because I think a drama without romance will tastes empty.
Unless action dramas which the excitement are no joke like Bad Guy. Although this drama has no romance at all, but the story is intriguing enough to make me curious and excited in each episode.
The romantic genre is one of the most common genre adopted in Korean Drama Industry, the reason behind this is simple, this genre directly touch the feeling of the viewer. Well, who doesn’t want to be loved and loving your loved one. The complete relatable emotion is one of the perk of romantic television series.
Here at Kmazing, we enjoy this genre a lil bit more than the other, and also it’s rare to see drama that have zero romance nowadays so almost all Korean drama can be categorized as romantic drama.
Go... to the Lists
Korean series were originally produced in house by the television channels themselves, but have been outsourced to independent production companies since the 2000s. In 2012, as much as 75% of all K-dramas were produced this way. Competition is fierce among these companies; out of 156 registered firms, only 34 produced dramas were actually aired in 2012. The budget of the production is shared between the producing company and the broadcaster, with the broadcasting channel covering around 50% of expenses usually. If top stars and famous scriptwriters are employed, they may cover even more. The rest of the budget has to be brought in by the production company with the help of sponsors. In the case of product placements, income is shared by the producer and the channel. The channel keeps 100% of the advertisement income during airtime; this could amount to ₩300-400 million. A typical Korean drama may cost as much as ₩250 million per episode, and historical dramas cost more than that. For example, Gu Family Book cost ₩500 million per episode. Producer Kim Jong-hak spent as much as ₩10 billion on Faith, which was considered a commercial failure, resulting in the inability of Kim to pay crew salaries and other overheads. Kim, who had produced successful dramas such as Eyes of Dawn and Sandglass, committed suicide after he was accused of embezzlement.
In Korea, much of the budget is spent on the appearance fees of top stars. In some cases, the actors may take up as much as 55-65% of the whole budget, while it is 20–30% in Japan and roughly 10% in the United States. Everything else, including salaries of lesser-known actors, extras, and technical staff, location rent and other expenses, have to be covered from the remaining amount. Often, production companies overrun their budgets and cannot pay salaries. In 2012, actors held a demonstration in front of the headquarters of KBS, expressing their concerns. Actors are usually paid after the last episode is aired at the end of the month. In series made by smaller production companies for cable channels, there have been cases where the companies went bankrupt and could not pay their actors and crew, while the channel denied all responsibility, claiming all liability was with the bankrupt production firm. The biggest stars may earn as much as ₩100 million per episode. Bae Yong-joon, the star of Winter Sonata reportedly received ₩250 million per episode for The Legend in 2007.
Go... to the Lists
As producing a series involves high expenses, production companies seek to shoot the episodes in the shortest time possible. In contrast to practices elsewhere, the first four episodes of Korean series are usually shot in advance, but the rest are shot continuously as the series is being aired. Scripts are not finished in advance, and may change according to viewer feedback and viewership ratings. These changes may occur a few hours before daily shooting, and the crew might receive only a few ready pages. The production usually works with three camera crews, who work in a rotating manner to speed up filming. Because of unregulated script changes and tight shooting schedules, actors are almost continuously on standby, and have no time to leave the set or sleep properly. The Korean media have a separate word to describe irregular, short sleeps that actors resort to, in often uncomfortable positions, or within the set: jjok-jam (쪽잠), or "side-sleeping". Dramas usually air two episodes a week, one after the other, with the following episodes having to be shot within the intervening five days. Some Korean actors have admitted to receiving IV therapy during filming, due to extreme schedules and exhaustion.
Go... to the Lists
Famous scriptwriters tend to have a say in their field. The most well-known scriptwriters include the Hong sisters, who wrote popular series such as My Girl, You're Beautiful and My Girlfriend Is a Nine-Tailed Fox; Kim Eun-sook, the screenwriter of Lovers in Paris, Secret Garden, The Heirs, Descendants of the Sun and Guardian: The Lonely and Great God; Lee Kyung-hee, famous for I'm Sorry, I Love You and The Innocent Man; male writer Choi Wan-kyu of Midas and Triangle; Noh Hee-kyung, the author of That Winter, the Wind Blows; and It's Okay, That's Love; and Park Ji-eun, who wrote My Husband Got a Family and My Love From the Star.
Acknowledged TV directors include Lee Byung-hoon, who directed Dae Jang Geum and Yi San; Kim Jong-hak, the director of Eyes of Dawn, and Sandglass; and Pyo Min-soo, the director of Full House and Iris II.
While scriptwriters are mostly women, directors are usually men. Some female directors rose to prominence, such as Lee Na-jeong (이나정), who directed The Innocent Man, and Lee Yun-jeong (이윤정), whose most famous works are The 1st Shop of Coffee Prince and Heart to Heart. The latter director is also the first female television producer employed by Munhwa Broadcasting Corporation (MBC).
Go... to the Lists
Music plays an important role in Korean dramas. Original soundtracks, abbreviated OST, are explicitly made for each series, and in contrast to American series, fans have a need to buy the soundtrack album of dramas. This trend started in the 1990s, when producers swapped purely instrumental soundtracks for songs performed by popular K-pop singers. Tom Larsen, director of YA Entertainment, a distributor of Korean TV series, thinks that Korean soundtracks are polished enough musically to be considered standalone hits.
During the 2000s, it became customary for lead actors to participate in original soundtracks, also partially due to the employment of K-pop stars as actors. Actor Lee Min-ho, and leader of boy band SS501, Kim Hyun-joong both recorded songs for Boys Over Flowers, while the actors of You're Beautiful formed a fictional band and held concerts, where they perform the soundtracks live.
Go... to the Lists
Judul Post : Best Romantic Comedy Korean Dramas
Published by : Prosako.
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Published by : Prosako.
Jika ini bermanfaat, Silahkan Share dengan mencantumkan alamat sumber.